limited to the Hippies and the Flower Power movement—it involved a renewed sense of activism that
began to dissect power structure, race, sex, and privilege. Asian Canadian magazines, which began with Overseers at the University of British Columbia, took on a new form in Toronto when The Asianadian was founded open three principles: It was anti-racist, anti-sexist, and anti-homophobic.
This led to other magazines like Ricepaper, Bambooda, Rungh, and Looseleaf. Although the nature of the publishing and magazine industry has changed significantly during this time, it is interesting to look back at how the politics of the New Left effectively birthed a new cultural consciousness and became responsible for introducing the works of many prominent writers including SKY Lee, Paul Yee, and Madeleine Thien.
Framed images featuring original and reproductions of front covers from The Asianadian, Ricepaper,
Bambooda, and Looseleaf magazine. Also features a poster designed by Michelle Kuan and Michelle Lu, a reproduction of the Ricepaper anthology, Currents, and photographs of The Asianadian’s founders and collective members.
In conjunction with LiterASIAN 2018.
Allan Cho, Sarah Suk, William Tham, and Thi Tran. This exhibition was possible thanks to the generous help of the Centre A team.